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_c147739 _d147739 |
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003 | ES-MaIEF | ||
005 | 20230616131642.0 | ||
007 | ta | ||
008 | 230616t2023 ne ||||| |||| 00| 0|eng d | ||
040 |
_aES-MaIEF _bspa _cES-MaIEF |
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100 | 1 |
_969203 _aLind, Yvette |
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245 | 0 |
_aAuditioning for Hollywood _ba comparative study of tax incentives offered to the film industry _c Yvette Lind |
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500 | _aResumen. | ||
520 | _aThe European film landscape is characterized by a strong presence of Hollywood productions. In 2019, American productions held approximately 70% of the market within the European Union while European productions had 25%. As a response, the EU has introduced differing types of financial support schemes with the aim of offsetting the imbalance between the American and the European film industries. This article describes and analyses tax incentives offered to the film industry from two main lines of inquiry: (1) a comparative and empirical tax study of twelve jurisdictions (Canada, China, France, Germany, India, Italy, Japan, the Netherlands, Norway, Spain, the United Kingdom, and the United States) in which the design of such tax incentives is investigated, and (2) a conceptual tax policy discussion on how states may design and implement such tax incentives. | ||
650 | 4 |
_936366 _aCINEMATOGRAFIA |
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650 | 4 |
_947463 _aINDUSTRIA |
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650 | 4 |
_aIMPUESTOS _947460 |
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650 | 4 |
_aINCENTIVOS FISCALES _947462 |
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650 | 4 |
_aDERECHO COMPARADO _941877 |
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773 | 0 |
_9169599 _oOP 2141/2023/2 _tIntertax _w(IEF)55619 _x 0165-2826 _g v. 51, n. 2, February 2023, p. 170-182 |
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942 | _cART |